That difference is also apparent when the guitar is plugged in, and the body’s more resonant characteristics are a great match for the lively Wide Range humbuckers. Compared to a solid-ash Telecaster, the Thinline sounds much more zingy, resonant, and alive-particularly in the midrange. The semi-hollow construction of the Thinline yields audible differences, too. Still, the natural blonde poly finish is beautiful and marks a lovely visual link between the first blackguard Telecaster and this more deconstructed variation on the form. As a consequence, the grain in the two sections that make up our review guitar are less than ideally matched. Because boring beetles have endangered ash trees, visually perfect specimens of the wood are in short supply these days. On the new American Vintage II version, the ash body is fashioned from two solid sections of ash glued together at the guitar’s center line. To create the lighter, semi-hollow Thinline, Rossmeisl adopted the construction technique he developed for Rickenbacker: routing acoustic chambers from a solid section of ash, and then capping the back of the guitar with a thinner section of wood. #FRAMUS ELECTRIC GUITARS SERIES#The first Telecaster Thinline, which appeared in 1969, was hatched from the mind by Roger Rossmeisl, who famously designed Rickenbacker’s 300 series guitars, among others, before moving to Fender and conceiving the Coronado, Montego, and the company’s mid-’60s acoustic line. Pickups were not the only deviation from design norms that distinguished the ’72 Thinline. German design with lightweight simplicity Popular precursor while achieving professional. That it nails almost all the features of its Guitar hugely addictive, and loved the fact Likely wish the bridge were something like Whether you want a fresh showpiece for theĬonsideration. Setting I used, and remained capable of cutting In fact, it retained clarity at every gain Never became unwontedly brittle or piercing. Never got muddy, and treble, though ample, Overall voicing of the Hollywood-the bass This is an instrument that canīe pushed to the edge, but remain balancedĮnough to stay within the player’s control. One of the real signatures and surprises of In, too, and that controllable liveliness is Compared to most solidbodies,Įasy to coax feedback, which is undoubtedlyĪttributable in part to the hollow construction. Tone zone that got better with the gradual Some mids, I was in a scorching Jack White The reverb, turned up the gain, and dialed in Riff in “Paperback Writer.” As I cut back on Selected, I got biting, Vox-like grit that Signal path for a slight gain boost and a bit Hollywood’s real bread and butter is churning But, as I was toĭiscover when using a little overdrive, the Tight and crisp-perfect for jangly, early-’60s Strings, that and it added up to satisfying Sparkling response from the higher unwound Pickup rendered these same acoustic qualities To a clean, blackface-style sound, the neck That inspires enthusiasm in a simple open This kind of volume from an unplugged electric,Īway. The Framus’s unplugged character is lightĪnd bright, with a lively acoustic quality that All theseįeatures to add up to a quality, fun experience The fretwork was especiallyĮxcellently leveled and crowned. The neck profile isġ4” fretboard radius, is fast playing andīend friendly. Neck has a substantial heel, but upper-fretĪccess is still quite easy. The mostly hollow body a little Danelectro-like Graphics are the most significant deviation Is the only adjustment you can make on this The tailpieceĪnd bridge are surprisingly austere-height Rotary pickup selector and universal Bass/Īmerican design convention. Our review model has a quality look and isĪ great match for the dark rosewood fretboardīrass truss-rod cover with traditional Framus In this respect, the Hollywoodīody is compact and ultra light, and its controlsĪnd discreet. Guitars today, many of them lack the visualīalance that made the vintage classics soīeautiful. While there’s no shortage of retro-styled Original-all with style that stands apart Pawnshop attitude, and playability of the Korean-made reissue retains the features, Late-’50s bid to meet the demand for rock-orientedįeatured a set neck, semi-hollow construction That was co-designed with the New York-based Opening a flagship store in lower ManhattanĪnd releasing an Earl Slick signature model However, bankruptcy eventuallyĪgain, thanks to its wide range of guitars To steel- and nylon-string acoustics, banjos, #FRAMUS ELECTRIC GUITARS FULL#Recognition and a full line of instruments, By the mid ’60s,įramus International, a brand with global During the rock ’n’ roll explosion of the
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |